Make it stand out.

What people are saying about our debut album Fabric of a Flawed Society

 

‘Liam Vincent and the Odd Foxes have been on my radar for some time. With a series of EP's and single releases over the last few years, a debut album was due - and boy have they produced one!

The band play a style of folk rock that leaves you feeling both uplifted & emotional, while wanting more. However this is a clever record. While on the surface, much of their music comes across as bouncy and joyous, but it's only when you dive into the lyrics that you see that these are songs that show huge dissatisfaction with some of the aspects of the world we find ourselves living in in the 21st Century.’

FATEA magazine review

‘…the sense of purpose if not outright anger fuels the heart & power of the songs. This is a band which self identifies as "..a collective of ideas, dreams and social conscience.."  and listening to them, you'll probably feel like dancing until the music stops & then going straight off & using the dynamics of your high to help put something right.

This is an album I'm sure the band is very proud at  having created: they certainly ought to be. Not a weak track on there, and any band who can create this many original songs each of which stimulates the mind, the heart & the feet is thoroughly deserving of success. One of my favourites of 2023 already.’

Hot Music Live review

‘The influences here are quite clear. There’s a lot of Levellers and a pinch of other political folk bands. The songs cover subjects ranging from our surveillance culture in ‘Watching You’, and the impact of the pandemic on a divided society, in ‘Friday Song’. ‘Sunday Song’ deals with the consumerist society: ‘Stop buying things we don’t need/And we can bypass their corporate greed’. Vincent’s vocals are defiant and Rebecca Mileham’s lead vocal on ‘The Rush’ shifts the pace. Final song ‘Ribbons’ is superb.’

RnR magazine review

  • All songs written and performed by The Odd Foxes: Liam, Rebecca, Gregg, Matt, Diz

  • Slide guitar by PJ Wright, mandolin by Guy Fletcher, brass by Mark Stevens

  • Engineering, production and mixing by Mark Stevens, mastering by Charlie Francis

  • Photographs taken at Temperance, Leamington Spa, by Paul Michael Hughes